Tutin Editing

My aim as an author has always been ensuring my stories are the best they can be. Whether that involves fleshing out the narrative or filling plot holes, tightening sentences or finding the right word to encapsulate the mood. All so that the reader can envision the scene, feel the emotion, and remember and share what they have read.As an editor, you can expect me to strive for the same with your stories. New or established, we artists could use that little extra help with feedback that identifies issues and suggests improvements or solutions, done so with an encouragement and understanding of the work and its author. And you can trust you will receive this from me.

Experience

I have a BA (Hons) in Creative Writing with The Open College of the Arts.More recently, I completed the courses Developmental Editing: Fiction Theory and Developmental Editing: In Practice under Liminal Pages.My own work has been published in Nocturne Magazine, Creepy Podcast, Kaleidotrope, Lamplight, Luna Station Quarterly, and elsewhere.I have also reviewed numerous works for members of the Codex Writers' Group and Online Writing Workshop communities.I'm currently an Emerging Professional Member of the Editorial Freelancers Association.

Testimonials

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Portfolio

Coming soon!

Rates

If the calculator does not work and/or show, you can find a breakdown of rates and discounts here.

The client can choose which project or service the 10% discount applies to. It does not need to be the first, but it can only be used once.

FAQ

  • Which editing service should I choose?

    While there may be some overlap in what elements each service focuses on, it mainly depends on scale.

    For example, where developmental editing essentially zooms out to assess the overall content and structure, line editing narrows the lens to concentrate on paragraphs and sentences, and so forth.

  • What do you edit?

    My strengths lie with speculative fiction (fantasy, science fiction, and horror), but I’m always trying to familiarise myself with other genres, such as romance, erotica, crime, thriller, and historical fiction.

    I edit works of any length. Be aware that reports might have fewer pages for short word counts, including short fiction and novelettes.

    My services do not cover other formats such as poetry, screenplays, or non-fiction.

  • Do you accept AI-generated and/or assisted projects?

    No, nor will I use AI on your work under any circumstances. This will be drawn up in the contract too.

  • Do you offer any other discounts?

    Not at this time. However, I'd be open to price negotiation as long as it is reasonable.

  • Do you offer samples?

    Definitely for line edits, yes, which is deducted from the overall cost too.

    Developmental and/or sensitivity edits are trickier to sample due to examining a snippet for a whole manuscript. For example, what could be presumed as a plot hole in one chapter becomes resolved several chapters down the line, rendering that note useless.

    If you understand this, but you would still like to get a sense of my editing practices, then we can discuss it further.

    However, this sample is not deducted from the overall cost.

  • What's the process?

    Initial discussions involve possibly filling out my questionnaire and trading samples, depending on the service. We can discuss your project for as long as necessary before making any commitments to ensure we are compatible.

    If we are in agreement, we must both sign a contract, and the deposit be sent and received. Work will not commence until then.

    Prices are recorded as two invoices and transferred via PayPal only. This includes an upfront 50% deposit, and a final payment prior to the return of completed work. Payments are non-refundable.

    Correspondence can continue after project completion if you need me to expand on my feedback.

  • How should my documents be compiled?

    Word or equivalent (.doc/.docx) or PDF. In my case, the latter would only be suitable for reading purposes, not comments or annotations.

  • How long will the editing take?

    Turnaround times can vary from two weeks to two months. It all depends on word count, service, and if you have a deadline.

Contact

Developmental Editing

Once you have completed your own revisions and edits, you may decide to have someone else dive deep into your manuscript. That would be a developmental edit, which examines the overall content and structure of your story, including but not limited to the areas of:

  • Worldbuilding: history and backstory, setting

  • Pacing

  • Dialogue

  • Theme(s)

  • Devices (epistolary formats, narrative distance, metaphors, etc)

  • Point-of-view

  • Characters

  • Voice, style, tone, and mood

  • Plot and sub-plots

  • Sensitivity reading for queerness, mental health, and PCOS

You will receive an extensive editorial report of 4–20 pages providing detailed explanations about potential issues as well as suggestions for improvements.In addition, you will receive your manuscript annotated with comments to highlight specific examples of what is discussed in the report.

Manuscript Evaluation

Manuscript evaluation covers the same as developmental editing but with the editorial report only.You will receive an extensive editorial report of 4–20 pages providing detailed explanations for potential issues and suggestions for improvements, as well as highlighting specific examples.

Beta Reading

While beta reading may focus on similar aspects seen in developmental editing and manuscript evaluation, this service is not the same.You will receive a report of 2–6 pages providing feedback on potential issues where the explanations and examples are fewer and broader, and without suggestions.

Line Editing

After developmental edits, you might consider moving onto the next stage. And that would be line editing. This means combing through the text for the smaller and finer elements, including but not limited to:

  • Structure (of scenes, paragraphs, and sentences)

  • Voice, style, tone, and mood

  • Pacing

  • Clarity

  • Flow

  • Rhythm

  • Consistency and continuity

  • Word choice, showing vs telling, repetition, redundancies, ambiguities, and filter words

  • Point-of-view, such as head-hopping

  • Narrative distance

  • Sensitivity issues, e.g. offensive or stereotypical language

  • Light copyediting (a missed or misplaced comma, double spaces removed, and correcting obvious spelling mistakes, etc)

You will receive your manuscript annotated with comments and tracked changes explaining potential issues as well as providing suggestions for improvement.You can ask for a free sample edit of 1,000 words. With the full project, the sample (equivalent to the rate per word) will be deducted from the total price.Heavy edits for punctuation, grammar, and spelling fall under copyediting and thus not included in this service.

Sensitivity Reading

Sensitivity reading focuses on particular identities and topics in detail, recognising stereotypes and misrepresentation, which, in my case, involves:

  • Queerness, including sexuality and gender fluidity

  • Mental health, specifically anxiety

  • PCOS (Polycystic ovary syndrome)

This service can be purchased as an editorial report and copy of your manuscript marked with comments, or as an editorial report only. You will receive 2–6 pages providing detailed explanations and solutions.

Developmental Editing: £0.022/wordManuscript Review: £0.016/wordBeta Reading: £0.006/wordLine Editing: £0.018/wordSensitivity ReadingWith report and comments: £0.004/wordWith report only: £0.002/word

New clients and their first projects receive 10% discount.The free line edit sample is equivalent to the rate per word, i.e. 1,000 words x 0.018 = £18.